The Graduate Studio sequence explores the range of skills and activities within the design process, from an initial visual/verbal response to content and the narrative shaping and communication of messages. Students in both tracks meet in the Graduate seminar sequence, which initially builds a sense of context through discussion of design history and contemporary critical issues, and later helps in developing individual approaches to the exploration, investigation and construction of a well-designed thesis proposal. Individual thesis investigation is central to the final year of mfa study and culminates in the comprehensive presentation of original design work and research relevant to contemporary critical practice. The schools goal is to prepare students for a reflexive, responsible and sustainable practice. Risds alumni occupy key positions in graphic design studios and through out corporate design offices, and they often start their own studios and enterprises. Many teach part time or full time in art schools and universities worldwide. Among recent graduates, cavan huang is the associate creative director and a lead business motion designer at Interbrand, and Erika tarte is currently the art director at Local Projects. Faculty: Bethany johns, professor and graduate program director, has headed the mfa since 2004. Faculty includes department head John Caserta, ernesto Aparicio, nancy.
The two-year Graphic Design mfa graduate program was proposed and approved in under the direction of professor Tom Ockerse. The total enrollment of graphic design graduate students is between 35 to 40 students. The two-year mfa programs are intended for students with a bfa or ba in graphic design (or an equivalent degree) who have at least two years of professional work under their belts. Experienced program candidates are typically seeking the opportunity for a more sustained and intensive investigation of critical graphic design thinking and making. The three-year mfa track is for students who have visual/verbal aptitude and an interest in entering the field, but lack the academic background in graphic design. These students hold undergraduate degrees in such fields as computer science, architecture, literature, fine arts resume and photography, history, journalism, international relations or the social and physical sciences. Their application portfolios must demonstrate skill in producing meaningful visual work. Risds graduate program prepares students for professional practice by emphasizing the role of social context, media and aesthetics in the production of visible language systems.
For more information: www. Mica.edu, something Stolen, something New, something Borrowed and Something Blue by risds Sameer Farooq and Mirjam Linschooten. Something Stolen, something New, something Borrowed and Something Blue by risds Sameer Farooq and Mirjam Linschooten. I am a pixel, by risds Jonathan Hanahan. Collection Wall at the Cleveland Museum of Art, by risd alumna Erika tarte. Rhode Island School of Design Located in the heart of historic Providence, risds 16 graduate studio disciplines are grouped in a mix of historic and new structures, merging an art school campus atmosphere with the downtown area. Risd graduate students may enroll in Brown University courses if scheduling permits, and the two schools actively pursue opportunities to share events and resources.
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In fall 2013, two teams of mica designers won honors in the bill and Melinda gates foundation Records for Life competition, which invited designers to create new systems for managing vaccination records for global populations. Mica students have also won prizes in several international poster competitions, including Poster Heroes (Italy, 2013) and Design Prize breda (Netherlands, 2014). Several graduates of micas Graphic Design mfa program have also gone on to publish books, including Helen Armstrong (Graphic Design Theory: readings From the field Andrew Shea (Designing for Social Change and Christina beard (Critiqued: Inside the minds of 23 leaders in Design). Mfa students share a light-filled studio equipped with individual work stations and a common printing facility. They have access to a variety of labs and shops across campus, where they can work with technologies ranging from laser cutters, 3D printers and textile printers to letterpress and bookbinding equipment.
Most grads return to professional practice after completing their degrees; one or two every year seek full-time large teaching positions. Many view teaching as an important aspect of their future career paths, but not a sole endeavor. Faculty: Tal Leming, Elizabeth evitts Dickinson, david Barringer, kimberly walker, Andres Zapata and Bob Cicero. Visiting artists have included keetra dean Dixon, Islam Elsedoudi, michele Champagne, paul Sahre, stephen Farrell, Glen Cummings, Abbott Miller and Silas Munro. The mfa requires two years of full-time study. Mica offers all graduate students some form of merit-based funding; this covers 2060 of tuition.
For her thesis project in micas environmental design program, she studied the bagmati river in Nepal. Maryland Institute college of Art. Located in Baltimore, a city with a thriving music and art scene, mica, founded in 1826, is one of the oldest art colleges in the country. Ellen Lupton and Jennifer Cole Phillips launched the Graphic Design mfa program in 2004. Approximately 40 of its students are international. Mica has since developed additional design graduate programs, including a one-year Post-Baccalaureate certificate in Graphic Design and a one-year Masters in Social Design.
Micas program offers a mix of structured and independent work. Core studio courses are led by program directors Lupton and Phillips, who offer intensive guidance and support throughout the mfa experience and beyond. First-year students participate in a series of projects that range from explorations of each designers personal identity and visual language to applied problems in the public realm. In the second year, designers focus on developing an independent thesis project. Alongside the core studio, designers select from an array of electives, including advanced publication design, interaction design, letterpress printing, typeface design and motion graphics, all taught by visiting faculty. Three credits of liberal arts each semester serve to build a dialogue about history, theory, pedagogy and the craft of writing. Workshops with guest artists infuse the program with new perspectives and work methods. The program pushes students to document and analyze their own process in order to develop new work methods and strong portfolio pieces.
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Visiting faculty has included Allan beaver, rodrigo corral, bob Gill, keith Godard, Gregg Greenwood, jeffrey keyton, luba lukova, tony palladino, hank richardson, james Victore and Genevieve williams. Tuition: 36,000 (20142015) for 60 credits over the course of three years. Scholarships and financial aid options are available. For more information: rywood. Edu/mfa, mica student Hong wei is now completing her mfa thesis on the subject of Vegetable Anatomy. Project dissertation by mica student Shiva nallaperumal. Mica alumnus Christina beard turned her 2011 thesis project into a book. Critiqued: Inside paperless the minds of 25 leaders in Design (Peachpit Press) was named by fast Company as one of the 10 best design books of 2013. Katrina keane was born in Zimbabwe and raised in Indonesia.
Students can take workshops in sequential art, education or even how to license their art. The age range of students is vast, from 22 to 65 years old. The overarching goal of the program is for each individual to grow as a creative and the to reach the very best of their ability. Current student Jess meoni says that one of the draws of the program is its low residency. It yields a lot of independent time to work professionally in the field as well as explore creative options on our projects and study tours. Another draw is the chance to work with some of the finest and more experienced designers and illustrators in the world. The study tours themselves make an attractive asset, as well. It takes the student out of the box of a classroom and to a city where we have to occasionally be quick-witted and on our toes, and sometimes we just get to sit back and take it all. Faculty: Ed Brodsky, seymour Chwast, ray cruz, john Gall, melanie hall, megan Halsey, peter Hoffer and Christopher Zacharow.
There have been close to 100 books subsequently published by its grads, such. Denise boslers, mastering Type and Craig Welshs, design: Portfolio. Grads go on to run studios, such as Welshs go welsh and david and Anna leonards Hybrid Studios. Many win top industry awards: Cannes lions, One Show Design Best of Show, d ad, communication Arts and Prints Regional Design Annual among them. Welsh notes that the graduate work helped reveal just how critical personal relationships and experiences are to informing design solutions. Whether its an expanded list of contacts with whom discussions and critiques can take place or its exposure to new places and ideas, design considerations have become broader and deeper. On campus, students have access to the silkscreen and letterpress print shops, and painting, sculpture and woodworking studios. The conceptual-based classes include animation, web design, expressive typography and environmental design.
Former Marywood University student Craig Welsh (2008 principal of go welsh, set up Music Friday activities in Lancaster, pa, where passersby were encouraged to play air guitar and then tweet or post photos to social media. The initiative benefited a nonprofit. The Art Directors Club of New Jersey contacted Marywood to design the 2014 Call For Entries for their annual awards show. Design by student Jess meoni. Marywood University, nestled between mountains in the wyoming Valley of Scranton, pa, marywoods mfa in Graphic Design and Illustration is the oldest low-residency program in the country. Childrens book illustrator, fred homework Brenner founded it in the mid-1980s, and the directorship was soon handed over to sister Cor Heffernan and Ed Brodsky. The two-week residency takes place on campus in July, and the program meets twice in the fall and spring in various cities such as New York, philadelphia, boston and San Francisco. These study tours include studio visits and talks by thought leaders in the field. The students, from across the country, are also assigned independent study projects.
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Print magazines August 2014 issue is the lessons learned issue. . In this issue, we take a look at how the past has played an important role in the present and future of design and the lessons we have will learned along the way. In the field of graphic design, although most practitioners hold at the very least a secondary degree, truth be told, no degree is required—simply a great portfolio. With that said, in recent years there has been a wellspring of new graphic design mfa programs in addition to those already in place. In part, this is the result of universities adopting the mfa as the terminal degree for teaching. There are two main models, residency and low-residency/independent study. Here is a survey of mfa programs across the country, selected for various distinctions, including the unique draw of what they have to offer to todays designers, broken down by Prints six regions of the. As presented in the regional Design Annual. Additional mfa programs, including international ones, will be spotlighted online.