6 Writing edit rand completed her screenplay in June 1944. The setting of The fountainhead is a collective society in which individuals and new ideas of architecture are not accepted, and all buildings must be constructed "like greek temples, gothic cathedrals, and mongrels of every ancient style they could borrow as roark's patron Henry cameron. Rand's screenplay, among other things, criticized the hollywood film industry and its self-imposed mandate to "give the public what it wants". Roark, in his architecture, refuses to give in to this demand "by the public". He refuses to work in any way that compromises his integrity and in which he would succumb to "popular taste". 4 In a similar vein Rand wrote a new scene for the film, in which roark is rejected as architect for the civic dream Opera company of New York, an allusion to Edgar kaufmann,., frank Lloyd Wright, and the civic Light Opera company of Pittsburgh. 8 While communism is not explicitly named, the film is also interpreted as a criticism of this ideology, as well as the lack of individual identity in a collective life under a communist society. 4 5 However, the novel's criticisms were aimed at Franklin.
Rand agreed, on the condition that not a single word of her dialogue be changed. 4 5 6 The fountainhead went into production, with Mervyn leroy hired to direct, but the production was delayed. 7 leroy said that the delay was the result of the influence of the war Production board, spurred by rand's anti-russian politics. 4 Stanwyck was not told of the decision to cast neal in the role she coveted until she read about it in the hollywood trade papers. This led to her leaving Warner Bros. Three years later, production commenced under the direction of King Vidor, although there were disputes between Rand, vidor, and Warner Bros. 7 Vidor wanted Humphrey bogart to play howard roark, while rand wanted Gary cooper to play the part. 5 cooper was cast alongside lauren Bacall as Dominique francon, but Bacall was replaced by patricia neal. 4 cooper criticized neal's audition as being badly acted, but she was cast against his judgment; during the production, cooper and neal began an affair.
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Calling no witnesses, roark addresses the court on his own behalf. He makes a long and eloquent speech defending his right to offer his own work on his own terms. He is found innocent of the charges against him. A guilt-stricken Wynand summons the architect to his office. He coldly presents him with a contract to design the wynand building, to be the greatest structure of all time, with complete freedom to build it however roark sees fit. As soon as roark leaves, wynand pulls out a pistol from his desk drawer and kills himself. Months later, Francon enters the construction site of the wynand building and identifies herself as Mrs.
She rises in the open construction elevator, all the while looking upward towards the figure of her husband. Roark stands triumphant, his arms akimbo, near the edge of the tall skyscraper, as the crosswinds buffet him atop his magnificent, one-of-a-kind creation. Production edit patricia neal replaced lauren Bacall as Dominique francon. Barbara Stanwyck asked Jack. Warner to buy the rights to the book for her. Purchased the film rights to ayn Rand 's The fountainhead in late 1943, asking Rand to write the screenplay.
Keating has been employed to create an enormous housing project. It is beyond his skill, so he requests roark's help. Roark says that if keating promises to build it exactly as designed, roark will do it while permitting keating to take all the credit. With prodding from the envious toohey, the firm backing the housing project decides to alter the design presented by keating. Roark decides, with Francon's secret help, to rig explosives to the buildings and destroy them.
Roark is arrested at the site after the demolition. In order to demonstrate roark's guilt, toohey pressures keating into privately confessing that roark designed the project. Roark goes on trial. He is painted as a public enemy by every newspaper apart from The banner, where, breaking with previous policy, wynand campaigns publicly on roark's behalf. However, toohey has permeated The banner with men loyal to him. Toohey has them quit and uses his clout to keep others out. He leads a campaign against The banner' s new policy that all but kills the paper. Faced with losing the enterprise, wynand saves The banner by bringing back toohey's gang to join the rest of the public in condemning roark.
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Wynand offers to marry Francon, even though he is aware that she is not in love with him. Francon defers the offer until she feels a improve great need to punish herself. She learns roark's true identity when they are introduced at the party opening the Enright house, the new building that roark has designed which The banner has campaigned against. Francon goes to roark's apartment and offers to marry him if he gives up architecture to save himself from a hopeless struggle. Roark rejects her fears and says that they face many years apart until she adjusts her thinking. Francon finds Wynand and accepts his previous marriage proposal. Wynand agrees, regardless of her true feelings or motives. Wynand selects roark to build a lavish but secluded country home for Francon and himself. As a result, wynand and roark become friends, which drives Francon to jealousy over roark.
Expecting roark, francon is enraged and returns to the quarry on horseback. She finds roark nearby, walking from the site. He again mocks her and she strikes him across the face with her horsewhip. In the evening he appears in her open bedroom, forcefully embracing and kissing her passionately, the sexually charged scene fading to black. Back in his room, roark finds a letter offering him a new building project. He immediately packs up and leaves. Francon goes to the quarry two days later and learns that he quit. The boss offers to find report out where he went, but she declines. She has no idea that he is actually howard roark, the brilliant architect she once championed in The banner.
opportunities that involve any compromise of his standards. Broke, he takes a job as a laborer in a quarry. The quarry belongs to Francon's father and is near their summer home. The vacationing Francon visits the quarry on a whim. As roark drills into the stone, francon spots him and watches him work. When he sees her they openly and repeatedly stare at each other. Francon contrives to have roark repair the white marble fireplace in her bedroom. Roark mocks the pretense, and after the first visit, sends someone else ( Tito vuolo ) to complete the repair.
Contents, howard roark gary cooper ) is wallpaper an individualistic architect who follows a new artistic path in the face of conformity and vulgar mediocrity. Robert douglas an architecture critic for, the banner newspaper, opposes roark's individualism and volunteers to crusade in print against him. The wealthy and influential publisher, gail Wynand (. Raymond Massey pays little attention, but approves the idea and gives toohey a free hand. Dominique francon patricia neal a glamorous socialite who writes. Banner column, admires roark's work, and opposes the newspaper's campaign against him. She is engaged to be married to an architect herself, the unimaginative peter keating (. She has never met or seen roark, but she believes that he is doomed in a world that abhors individualism.
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The fountainhead is a 1949 American black-and-white drama film, produced by, henry Blanke, directed by, king Vidor, and starring. Gary cooper, patricia neal, raymond Massey, robert douglas, and, kent Smith. The film is based on the bestselling novel of the same name by, ayn Rand, who also wrote the screenplay adaptation. Although Rand's screenplay was used with minimal alterations, she later criticized the film's editing, production design, and acting. 3, the film and novel's paperless storyline are concerned with the life of Howard roark, an individualistic young architect who chooses to struggle in obscurity rather than compromise his artistic and personal vision, following his battle to practice what the public sees as modern architecture, which. The complex relationships between roark and the various kinds of individuals who assist or hinder his progress, or both, allow the film to be at once a romantic drama and a philosophical work. Roark is Rand's embodiment of the human spirit, and his struggle represents the struggle between individualism and collectivism.