Rossellini, louis xiv. Renoir, la règle du jeu. Ozu, tokyo story. Von Sternberg, The Blue angel. Bresson, Un Condamné à mort. Vertov, the man with the movie camera. Louis feuillade, judex. Anger, Inauguration of the Pleasure dome. Godard, vivre sa vie.
The decay of Cinema which Sontag wrote three decades later in the, new York times, and in which she declares that "you hardly find anymore, at least among the young, the distinctive cinephilic love of movies that is not simply love of but a certain taste. Reading over the top fifty films she considered the greatest back in 1977 (and published in her volume of journals. As Consciousness is Harnessed to Flesh we find plenty of evidence sontag herself, unsurprisingly, had such a cinephilic love of and vast appetite for movies, especially for European filmmakers but also the best-known Japanese ones of the day:. Vidor, The big Parade. Kurosawa, high and Low. Hans-Jürgen Syberberg, hitler. Godard, 2 ou resume 3 Choses.
Sontag adapted the Italian-language feature from her story of the same name, originally published in 1977 in the, new Yorker. Promised Lands, her only documentary, meditates on Arab-Israeli relations at the end of the yom Kippur War. Brother Carl takes place, suitably, at a swedish island resort. And her debut, duet for Cannibals, according to dangerous Minds, embodies — or, if you like, cinematizes — her touted distaste for the interpretation of artworks. Sontag, they say, "sought to liberate art from interpretation (which is a bit ironic, of course, for someone who was essentially an exalted critic). When it came to her own film, she made something that intended to deliberately confound the notion that there was any sort of underlying meaning beyond exactly what the audience was seeing on the screen directly in front of them.". Sontag's famous 1966 essay against Interpretation " counts here as essential reading, not just before you watch her own films, but also before you watch through her list of favorite films. Richard Brody, posting in the, new Yorker, recommends accompanying it with ".
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"I would just say read anything by roberto bolaño. Re-read all the great classics. The Scarlet Letter, read, moby dick, read Haruki murakami. But Roberto bolaño's 2666 is the first masterpiece of the 21st century.". You can find a number for of the texts listed above in our collection, 800 Free ebooks for ipad, kindle other devices. Via, vertigo, related Content: david Bowies Top 100 books, patti Smiths cover of Nirvanas Smells like teen Spirit Strips the song Down to its heart. Watch Patti Smith read from Virginia woolf, and hear the Only surviving Recording of woolfs voice.
Patti Smith reads Her Final Words to robert Mapplethorpe. Susan Sontag's fans would each describe her a little differently: many would call her a writer, of course, though some would opt for more specificity, calling her a novelist if baseball they like her fiction or a critic if they don't. Others, speaking more grandly, might prefer to simply call her an "intellectual." Under this wide umbrella sontag produced a variety of works for the page, the stage, and even the screen. Between 19, she made four films: 1969's. Duett för kannibaler (Duet for Cannibals 1971's, broder Carl brother Carl 1974's, promised Lands, and, above, 1983's, unguided tour, also known.
Image of Patti Smith performing in rio de janeiro by daigo Oliva. As a little girl, patti Smith found liberation in words - first through the bedtime prayers she made up herself, and later in books. . "I was completely smitten by the book she writes in her memoir, just Kids. "I longed to read them all, and the things I read of produced new yearnings.". Smith found a role model in jo, the tomboy writer in louisa may alcott's. "She gave me the courage of a new goal writes Smith, "and soon I was crafting little stories and spinning long yarns for my brother and sister." As a teenager she discovered the French.
Symbolist poets, charles baudelaire and especially Arthur Rimbaud, who inspired her and helped shape her own artistic persona as a poet and punk rocker. Despite her fame as a rock 'n' roll musician, Smith has always described herself as essentially a bookish person. It was around the time of Smith's appearance at the 2008 Melbourne International Arts Festival, according. Vertigo, that Smith released this list of her favorite books. Not surprisingly, it's an eclectic and fascinating group of books: Smith's reading recommendations have no doubt evolved since the list was given. Earlier this year a writer for. Elle asked what books she would suggest. "I could recommend a million Smith responded.
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7 susan Sontag, Against Interpretation and Other Essays, needed (New York: Farrar, for Straus and Giroux, 1961. 13 susan Sontag, Against Interpretation and Other Essays, (New York: Farrar, Straus and Giroux, 1961. 11 susan Sontag, Against Interpretation and Other Essays, (New York: Farrar, Straus and Giroux, 1961. 14 demott, benjamin (January 23, 1966). The new York times. Retrieved April 14, 2016. robshaw, Brandon (26 September 2009). "Against Interpretation, by susan Sontag". External links edit retrieved from " ".
In this way, sontag asserts that inevitably, the modern style of interpretation separates form and content in a manner that damages an artwork and one's own sensorial appreciation of a piece. Though she claims that interpretation can be stifling, making art comfortable and manageable and thus degrading the artists original intention, sontag equally presents a solution to the dilemma she sees as an abundance of interpretation on content. That is, to approach art works with a strong emphasis on form, to reveal the sensuous surface of art without mucking about. 5, reception restaurant edit, in a contemporary review of the book, benjamin demott of The new York times praised Against Interpretation as "a vivid bit of living history here and now, and at the end of the sixties it may well rank among the invaluable cultural. Though they bear the stamp of their time, sontag was remarkably prescient; her project of analysing popular culture as well as high culture, the doors as well as Dostoevsky, is now common practice throughout the educated world. And the artists and intellectuals she discusses nietzsche, camus, godard, barthes etc demonstrate that she knew which horses to back." 7 see also edit references edit national book foundation ml.WI9vblyrL8M. Retrieved missing or empty title ( help ) susan Sontag, Against Interpretation and Other Essays, (New York: Farrar, Straus and Giroux, 1961.
and developing a descriptive vocabulary. She believes that interpretation of the modern style has a particular taming effect: reducing the freedom of a subjective response and placing limitations or certain rules upon a responder. The modern style of interpretation is particularly despised by sontag in relation to the previous classical style of interpretation that sought to bring artworks up to date, to meet modern interests and apply allegorical readings. Where this type of interpretation was seen to resolve conflict between past and present by revamping an art work and maintaining a certain level of respect and honour, sontag believes that the modern style of interpretation has lost sensitivity and rather strives to stroy. Sontag asserts that the modern style is quite harmful; to art and to audiences alike, enforcing hermeneutics - fallacious, complicated readings that seem to engulf an artwork, to the extent that analysis of content begins to degrade, to destroy. Reverting to a more primitive and sensual, almost magical experience of art is what Sontag desires; even though that is quite impossible due to the thickened layers of hermeneutics that surround interpretation of art and that have grown to be recognised and respected. Marxian and, freudian theories, claiming they are aggressive and impious. 3, sontag also refers to the contemporary world as one of overproduction. Material plentitude sic, 4 where one's physical senses have been dulled and annihilated by mass production and complex interpretation to the extent that appreciation of the form of art has been lost. To sontag, modernity means a loss of sensory experience and she believes (in corroboration with her theory of the damaging nature of criticism) that the pleasure of art is diminished by such overload of the senses.
Aids and essay Its Metaphors extends her critique of cancer metaphors to the metaphors of dread surrounding the aids virus. Taken together, the two essays are an exemplary demonstration of the power of the intellect in the face of the lethal metaphors of fear." —michael Ignatieff, The new Republic. From wikipedia, the free encyclopedia, jump to navigation, jump to search. Against Interpretation is a collection of essays by, susan Sontag published in 1966. It includes some of Sontag's best-known works, including "On Style and the eponymous essay "Against Interpretation." In the last, sontag argues that in the new approach to aesthetics the spiritual importance of art is being replaced by the emphasis on the intellect. Rather than recognizing great creative works as possible sources of energy, she argues, contemporary critics were all too often taking art's transcendental power for granted, and focusing instead on their own intellectually constructed abstractions like "form" and "content." In effect, she wrote, interpretation had become. The book was a finalist for the Arts and Letters category of the. National book award 1, contents, summary edit "Against Interpretation" is Sontag's influential essay within. Against Interpretation and Other Essays that discusses the divisions between two different kinds of art criticism and theory: that of formalist interpretation, and that of content-based interpretation.
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In 1978 Susan Sontag wrote, illness as Metaphor, a classic work described. Newsweek as "one of the most liberating books of its time." A cancer patient herself when she was writing the book, sontag shows how the metaphors and myths surrounding certain illnesses, especially cancer, add greatly to the suffering of patients and often inhibit them from. By demystifying the fantasies surrounding cancer, sontag shows cancer for what it is - just a disease. Cancer, she argues, is not a curse, not a punishment, certainly not an embarrassment and, it is highly curable, if good treatment is followed. Almost a decade later, with the outbreak of new, stigmatized disease replete with mystifications and punitive metaphors, sontag wrote a sequel. Illness as Metaphor, extending the argument of the earlier book to the aids pandemic. These two essays now published together, Illness as Metaphor and, aids and Its Metaphors, have been translated into many languages and continue to have an enormous influence on the thinking of medical professional and, above all, on the lives of many thousands of patients and. "Susan Sontag's, illness as Metaphor was the first to point out the accusatory side of the metaphors of empowerment that seek to enlist the patient's will to resist disease. It is largely as a result of her work that the how-to health books avoid the blame-ridden term 'cancer personality' movie and speak more soothingly of 'disease-producing lifestyles.'.